The energy of rock n’ roll is impossible to categorize – mercurial, specific to its beholder and profoundly reflective. From the Binghamton, New York music scene comes Driftwood, a band with a rock n’ roll soul and a folk art mind. Carving out a name for themselves with electrifying live performances, they bring one of the most unique, raw sounds to the Americana/roots music scene. Incorporating upright bass, banjo, acoustic guitar and violin, the ghost of traditional American folk music lives in their palette. But the melodies, the harmonies and the lyrics are something else entirely. “We started off playing rock in high school. Then studying jazz and classical music in college. Then we dove headfirst into folk and bluegrass. At some point I guess we kind of met in the middle”, says guitarist/songwriter Dan Forsyth. Drawing on aspects of everything from 0ld-time recordings to 1960’s R&B, the music is crafted to serve the songs. With fast-growing audiences singing along at live shows, it’s easy to tell the primary focus is on song. “We recognized early on that one of our strongest points was songwriting. The greatest songs transcend genre and time and this was one of the motivating ideas behind the band at the start”, says banjo player/songwriter Joe Kollar. Trading lead vocals between Forsyth, Kollar and violinist Claire Byrne, the group’s stage dynamics are as captivating as the songs. “I give so much of myself when I play because I deem it necessary in order to do the music justice”, says Byrne, whose violin-shredding performances galvanize fans. Songs or shredding, “There’s a reason people won’t let them off the stage”, says Jess Novak from The Syracuse New Times.
Coming from a town not often recognized for music but predominantly for industry, being the home of Twilight Zone author Rod Serling and donning the title of the “Carousel Capital of the World”, it’s easy to wonder how this not-so-traditional string band came out of the Binghamton music scene. “What people don’t often realize is that bands like Old Crow Medicine Show, The Horseflies and The Highwoods String Band came out of this same area and had a huge influence on us”, says Forsyth. “We played a lot of old-time in the beginning and it was a huge part of our band learning to play music together”.
Formed in 2005, the band spent four years playing just about anywhere they could. “We just wanted to be able to play for any crowd and turn heads”, says banjo player Joe Kollar. “We played everywhere. Coffee houses, bars, churches, rock clubs, Bluegrass festivals and the streets…a lot on the streets. We didn’t make any money, but what we learned was invaluable”.
After the release of their Debut CD “Rally Day” in 2009, the band has spent most of the last 5 years on the road. With club and festival appearances alongside of artists such as Bela Fleck, Old Crow Medicine Show, Rusted Root, Del McCoury, Brett Dennen, The Wailers, Railroad Earth, Robert Randolph, Rubblebucket, Leon Russell, Emmylou Harris and Donna the Buffalo, Driftwood is making serious waves on the East Coast scene. In the last three years they’ve played over 500 shows.
In November 2012, Driftwood started work on their third and latest CD. Despite a grueling tour schedule and very little time at home, the recordings were finished in the summer of 2013. The self-titled new disc was recorded in a church outside of Ithaca, NY with Grammy-winning engineer Robby Hunter. It was released on December 3rd, 2013 and earned the band performances on such radio shows as West Virginia’s Mountain Stage and WAMU’s Bluegrass Country. It also landed spins on a slew of great radio stations such as KZSU (Stanford, CA), WCBE (Columbus, OH) WNRN (Charlottesville, VA), WUNC (Chapel Hill), WDVX (Knoxville, TN) WOUB, (Athens, GA) KDRP (Austin, TX), WUMB (Boston, MA) and Sirius XM to name a few.
“From the first notes, I was hooked” – Suze Uttal, No Depression
“Sometimes a band can just appear out of nowhere and make a sound so agreeable and enticing it almost seems like they’re the product of some divine destiny. Driftwood offers an ideal example of that phenomenon” – Country Standard Time